| 101 | |||||
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| Live album by Depeche Mode | |||||
| Released | March 11, 1989 | ||||
| Recorded | Pasadena Rose Bowl June 18, 1988 |
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| Genre | Synthpop, alternative dance, New Wave, Dark Wave | ||||
| Length | 95:45 | ||||
| Label | Mute Sire (US/Canada) |
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| Producer | Depeche Mode | ||||
| Professional reviews | |||||
| Depeche Mode chronology | |||||
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| 101 | |
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| Directed by | D.A. Pennebaker Chris Hegedus David Dawkins |
| Produced by | Frazer Pennebaker |
| Written by | Depeche Mode |
| Starring | David Gahan Martin L. Gore Andrew Fletcher Alan Wilder |
| Distributed by | Mute Video |
| Release date(s) | 1989, rereleased in 2003 |
| Running time | 117 minutes (VHS) |
| Language | English |
| Budget | unknown |
| IMDb | |
101 is a live album and documentary by Depeche Mode released in 1989 chronicling the band's 1988 Music for the Masses U.S. tour and their final show at the Pasadena Rose Bowl. Group member Alan Wilder is credited with coming up with the name; the performance was the 101st and final performance of the tour (and coincidentally also a famous highway in the area). The film was directed and produced by D.A. Pennebaker.
Contents |
The film is considered to be pioneering due to the fact that it contained one of the first examples of reality television. The film covers several Depeche Mode fans, mainly Christopher Hardwick, Oliver Chesler (a.k.a. The Horrorist), and Jay Serken, and their respective girlfriends, who were picked out of a crowd at a Long Island night club and allowed to tour with Depeche Mode through the last leg of their 1988 North American tour.
The film begins by showing a clip of Depeche Mode entering an empty Rose Bowl stadium in an old American car. This is where they announce their concert at the Rose Bowl during a live press conference there. The majority of the film revolves around the experiences of the fans traveling with Depeche Mode (in a separate bus and in separate hotel rooms). There are a few instances of band members fraternizing with the fans, but most of the film shows each group in separate situations. There is some footage of the band before various shows getting ready in the dressing room backstage. The dialogue is interesting in that it shows how the four members of the group interact.
The last part shows a live recording of Depeche Mode's sellout show at the Rose Bowl, where over 80,000 people were in attendance. The film of the concert is not complete, however, as it does not present the entire concert from beginning to end; rather, it contains twelve of their greatest hits at the time, pieced together by Pennebaker (it is important to note that the band had absolutely no say in the directorial process, hence none of the scenes are scripted) and is missing some of the tracks performed that night.
Two points worth mentioning are in the performance of "Stripped" where Dave Gahan's intensity is unbridled as well as "Never Let Me Down Again", the band's closing track (not including encores), where the crowd's energy and enthusiasm is highly cathartic.
In 2003 the film was released on a two-disc DVD with the main film on the first disc. The second disc had interviews with the three fans and their experiences with the band. There were also interviews with Dave Gahan, Martin Gore, and Andrew Fletcher, all three separately by Pennebaker and Hegedus, talking about their solo projects which they were working on at the time. (Gahan - Paper Monsters, Gore - Counterfeit e.p., Fletch - Client) At the time, the commentary on the film was recorded at separate times, later to be cleverly edited together, to make it sound like all three were there at the same time. Alan Wilder, who left the band almost seven years after 101 in 1995, chose not to be interviewed. Finally, there was an interview with Daniel Miller and on the state of Depeche Mode, and even includes comments on Vince Clarke and the old Depeche Mode days, and manager Jonathan Kessler.
In addition to the interviews there was also isolated video footage of the concert, including new footage, although footage of a couple of songs was not able to be recovered.
In 2003, Mute Records reissued 101 as a hybrid SACD. In essence, the two-disc set contained 101 in three formats - multi-channel SACD, stereo SACD and PCM stereo (CD audio). The multi-channel audio was presented in 5.1 and gave a better representation of the live experience. The SACD was not released in North America.
Due to pressing errors, however, the first run of the set was marred by a mis-encoded multi-channel SACD layer that skipped and was unlistenable on the first disc. The stereo SACD and CD audio layers were unaffected.
As a bonus hidden track, the multi-channel layer also included the full version of "Pimpf".
A Side
B Side
C Side
D Side
Disc One:
Disc Two:
Disc One
Disc Two All songs are isolated live video footage, uninterrupted by documentary footage. Songs with a * are exclusive to the DVD and were not in the VHS film. Footage of Sacred, Something to Do, The Things You Said, Shake the Disease, Nothing, People are People, A Question of Time and A Question of Lust are lost and were not able to be recovered for the DVD.
Dave Gahan Interview, Martin Gore Interview, Andrew Fletcher Interview, Jonathan Kessler Interview, Daniel Miller Interview, -Interview fans Christopher Hardwick Interview Oliver Chesler Interview Jay Serken Interview -Everything Counts (music video)
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