Admeto

All you want to know about Admeto

Operas by George Frideric Handel

Almira (1705)
Florindo (1708)
Rodrigo (1707)
Agrippina (1709)
Rinaldo (1711)
Il pastor fido (1712)
Silla (1713)
Teseo (1713)
Amadigi di Gaula (1715)
Acis and Galatea (1718)
Radamisto (1720)
Muzio Scevola (1721)
Floridante (1721)
Ottone (1723)
Flavio (1723)
Giulio Cesare (1724)
Tamerlano (1724)
Rodelinda (1725)
Scipione (1726)
Alessandro (1726)
Admeto (1727)
Riccardo Primo (1727)
Siroe (1728)
Tolomeo (1728)
Lotario (1729)
Partenope (1730)
Poro (1731)
Ezio (1732)
Sosarme (1732)
Orlando (1733)
Arianna in Creta (1734)
Oreste (1734)
Ariodante (1735)
Alcina (1735)
Atalanta (1736)
Arminio (1737)
Giustino (1737)
Berenice (1737)
Alessandro Severo (1738)
Faramondo (1738)
Serse (1738)
Giove in Argo (1739)
Imeneo (1740)
Deidamia (1741)
Semele (1744)
Alceste (1750)
v • d • e

Admeto, re di Tessaglia (Admetus, King of Thessaly) is a three-act opera with music composed by George Frideric Handel to an Italian-language libretto prepared by Nicola Haym. The story is partly based on Euripedes' Alcestis. The opera's first performance was at the Haymarket Theatre in London on 31 January 1727. The original cast included Faustina Bordoni as Alcestis and Francesca Cuzzoni as Antigona, as Admeto was the second of the five operas that Handel composed to feature specifically these two prime donne of the day.[1] The opera received 19 performances in its first season, and over the time from September 1727 to January 1732, received 16 additional performances. Admeto was revived in 1754 and received 5 additional performances. The last, 6 April 1754, proved to be the last opera performance that Handel saw of his own operas in his lifetime.[2]

Contents

Roles

Role Voice type Premiere Cast, 31 January 1727
(Conductor: - )
Alceste (Alcestis) soprano
Antigona soprano
Admeto (Admetus) countertenor
Ercole (Hercules) bass
Trasimede (Thrasymedes) countertenor
Orindo contralto
Meraspe baritone
Apollo bass
A voice baritone

Selected recordings

  • EMI Classics 1C 163-30 808/812: René Jacobs (as Admeto), Rachel Yakar, Ulrik Cold, Rita Dams, James Bowman, Jill Gomez, Max van Egmond; Il Complesso Barocco; Alan Curtis, conductor[3]

Notes

  1. ^ Dean, Winton, "Reports: Birmingham" (July 1968). The Musical Times, 109 (1505): pp. 651-656.
  2. ^ Smith, William C., "The 1754 Revival of Handel's Admeto" (April 1970). Music & Letters, 51 (2): pp. 141-149.
  3. ^ Anderson, Nicholas, "Recordings: Admeto" (January 1981). Early Music, 9 (1): pp. 129-130.

References

  • Dean, Winton (2006), Handel's Operas, 1726-1741, Boydell Press, ISBN 1843832682  The second of the two volume definitive reference on the operas of Handel

External links

Retrieved from "http://en.wikipedia.org/wiki/Admeto"

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