| An Officer and a Gentleman | |
|---|---|
Original film poster |
|
| Directed by | Taylor Hackford |
| Produced by | Martin Elfand Douglas Day Stewart |
| Written by | Douglas Day Stewart |
| Starring | Richard Gere Debra Winger Louis Gossett, Jr. David Keith Robert Loggia |
| Music by | Jack Nitzsche |
| Cinematography | Donald E. Thorin |
| Editing by | Peter Zinner |
| Distributed by | Paramount Pictures |
| Release date(s) | July 28, 1982 |
| Running time | 122 min. |
| Country | |
| Language | English |
An Officer and a Gentleman is a 1982 film which tells the story of a United States Navy aviation Officer Candidate who comes into conflict with the Marine Corps Gunnery Sergeant who trains him. It was written by Douglas Day Stewart and directed by Taylor Hackford. It starred Richard Gere, Debra Winger and Louis Gossett, Jr. The film's title uses an old expression from the British navy or from the U.S. Uniform Code of Military Justice, as being charged with "conduct unbecoming an officer and a gentleman" (from 1860).
Contents |
The film begins with Zack Mayo (Richard Gere) receiving a graduation present from his father Byron (Robert Loggia), a brash, womanizing career U.S. Navy Boatswain's Mate formerly stationed at Subic Bay in the Philippines. Mayo moved in with his father there in early adolescence when his mother committed suicide. Aloof and taciturn with repressed anger at his mother's suicide and his father's inability to properly parent him, Mayo surprises his father when he announces his aspiration to be a Navy pilot.
Once he arrives at the 13-week long Aviation Officer Candidate School, Mayo runs afoul of abrasive, no-nonsense drill instructor Gunnery Sergeant Emil Foley (Louis Gossett, Jr.). Mayo — or "Mayonnaise" as he is dubbed by the irascible Foley — is an excellent officer candidate, but not a team player. Foley rides Mayo mercilessly, sensing the young man would be prime officer material if he were not so self-involved. Zack becomes friends with fellow trainee Sid Worley (David Keith), from the "good side of the tracks". Another focus is female recruit Casey Seeger (Lisa Eilbacher), whose name is pronounced like Bob Seger but whom Foley calls "See-GAR", who is unable to get over a wall with a rope in the obstacle course.
Zack and Sid meet two factory workers, Paula Pokrifki (Debra Winger) and Lynette Pomeroy (Lisa Blount), who bed the cocky officer candidates. Lynette is trying to nab an officer candidate so she can escape her drab, blue-collar life and become an "aviator" wife. Sid takes up with Lynette eagerly and naively. Paula is different; she makes no demands and is content to let relationship with Zack be what it is. But their affair is compromised by Zack's unwillingness to give of himself.
When Mayo is caught cheating by Foley, the instructor makes life unendurable for the trainee in order to get him to resign from the program. But Mayo refuses to give in; he finally breaks down and admits that "I got nowhere else to go! I got nowhere else to go... I got nothin' else." Satisfied that he has finally learned what Mayo is made of, Foley lets up on him. Mayo begins to mature and mend his ways.
During their night of passion, Mayo reveals to Paula the truth behind his mother's suicide and that he truly seeks a different path from that of his father.
Later, Mayo is running with Seeger through the obstacle course one last time. Mayo has a chance to break the record time for negotiating the course, but after Seeger fails once again to get over the wall, he chooses to sacrifice the record to encourage her over the wall so she could graduate
Sid quits the program and proposes to Lynette, but she turns him down, not before confessing she wasn't pregnant like he originally thought. She wanted him to graduate and all but curses him for dropping out in the 11th week. He then commits suicide. Mayo unreasonably blames Foley and there is an unofficial no-holds-barred martial arts bout between them; Foley wins (with difficulty), proving his superiority against Mayo and all his other candidates.
Mayo graduates with the rest of his class. Following the tradition of the newly-commissioned U.S. Naval officers, he seeks out and receives his first salute from Foley in exchange for a US silver dollar coin. Mayo then thanks Foley, saying he'll never forget him. Foley, clearly moved and suppressing his own tears, straightens and gives Mayo a picture-perfect salute. In the iconic final scene of the film, the new Ensign Mayo goes to the factory where Paula works, picks her up and walks out holding her in his arms. Lynette watches bitterly, knowing her own craven manipulations have left her alone in the end.
| Actor | Role |
|---|---|
| Richard Gere | Zack Mayo |
| Debra Winger | Paula Pokrifki |
| Louis Gossett, Jr. | Gunnery Sergeant Emil Foley |
| David Keith | Sid Worley |
| Lisa Blount | Lynette Pomeroy |
| Lisa Eilbacher | Officer Candidate Casey Seeger |
| Tony Plana | Officer Candidate Emiliano Della Serra |
| Harold Sylvester | Officer Candidate Lionel Perryman |
| David Caruso | Officer Candidate Topper Daniels |
| Robert Loggia | Byron Mayo |
| Victor French | Joe Pokrifki |
| Grace Zabriskie | Esther Pokrifki |
| Ron Hayes | Midshipman |
The movie grossed close to $130 million at the box-office in the United States in 1982. It also received rave reviews from critics, most notably from Roger Ebert who gave it four stars. Ebert described the An Officer and A Gentleman as "a wonderful movie precisely because it's so willing to deal with matters of the heart."
Rex Reed gave a glowing review where he commented: "This movie will make you feel ten feet tall!"
It was shot mostly on location at Port Townsend, Washington and Fort Worden since the U.S. Navy would not permit the motion picture to be filmed at its base in Pensacola, Florida (the traditional site of the Naval Aviation Officer Candidate School).[citation needed] A real motel located in Port Townsend was used for the film. Today, there is a plaque outside the room commemorating this.
Director Taylor Hackford kept Lou Gossett Jr. in separate living quarters from the other actors during "An Officer and a Gentleman" so he could intimidate them more during his scenes as a drill instructor. [1]
Richard Gere balked at shooting the ending of the movie where his character arrives at his lover's factory wearing his naval dress whites and carries her off the factory floor. Gere thought the ending wouldn't work because it was too sentimental and Director Taylor Hackford was inclined to agree with Gere until, during a rehearsal, the extras playing the workers began to cheer and cry. When Gere saw the scene later with the music underneath it at the right tempo, he said it sent chills up the back of his neck. Gere is now convinced Hackford made the right decision.[1]
| Lists of miscellaneous information should be avoided. Please relocate any relevant information into appropriate sections or articles. (October 2007) |
| Wikiquote has a collection of quotations related to: An Officer and a Gentleman |
|
|||||
No comments have been added.