| Avanti! | |
|---|---|
film poster by Sandy Kossin |
|
| Directed by | Billy Wilder |
| Produced by | Billy Wilder |
| Written by | I.A.L. Diamond Samuel A. Taylor (play) Billy Wilder |
| Starring | Jack Lemmon Juliet Mills |
| Music by | Carlo Rustichelli |
| Cinematography | Luigi Kuveiller |
| Editing by | Ralph E. Winters |
| Distributed by | United Artists |
| Running time | 144 minutes[1] |
| Country | |
| Language | English |
| IMDb profile | |
Avanti! is a 1972 comedy directed by Billy Wilder, starring Jack Lemmon, Juliet Mills, Clive Revill, Edward Andrews and Gianfranco Barra. It was adapted by I.A.L. Diamond from a 1968 play by Samuel Taylor.
Contents |
Wendell Armbruster, Jr. (Lemmon) goes to Italy to pick up his father's body after an automobile accident. He soon finds that his self-righteous father, who for over ten years had been spending four weeks in Ischia for the mud baths, had been also having an affair during those years with a British woman who also died in the accident. The conservative Wendell meets and falls in love with the more open-minded Pamela (Mills), the daughter of the woman, also in town because of the accident.
The film's screenplay was based on a "short-lived, 1968 Broadway farce"[1] set in Rome and written by Samuel Taylor.[2]
Although the story is set in Ischia (a small island in the Gulf of Naples) the movie was mainly made in Sorrento, especially at the Grand Hotel Excelsior. The hydrofoil arrival was at Ischia Harbor. The Church (body viewing) was at the west end of Ischia. The closing helicopter scene was on Capri, near the lighthouse.
The New York Times called it "intermittently funny, charming, cute and, unfortunately, over-long" and praising Clive Revill's performance "as the suave, knowledgeable, carefree hotel manager, who's as helpful with cadavers as he is with lovers, bureaucrats, blackmailers and body snatchers."[1] The review in Time magazine also compliments Revill's "deft performance" and notes that "the topical dialogue by Wilder and I.A.L. Diamond—Kissinger jokes, Billy Graham jokes, etc.—gives this passingly pleasant movie the sound of a Bob Hope TV special."[3] Roger Ebert called it a "pleasant, civilized comedy" that's "too long by maybe half an hour" that "suffers from the problem that the audience has everything figured out several minutes before" Lemmon's character does.[4]
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