| This article cites its sources but does not provide page references. You can improve this article by introducing citations that are more precise. |
| This article or section may require cleanup because it is in a list format that may be better presented using prose. You can help by converting this section to prose, if appropriate. Editing help is available. (September 2007) |
The Badami Chalukya Architecture was a temple building idiom that evolved in the time period of 5th - 8th centuries CE. in the area of Malaprabha basin, in present day Bagalkot district of Karnataka state. This style is sometimes called the Vesara style and Chalukya style. Their earliest temples date back to around 450 in Aihole when the Badami Chalukyas were feudatories of the Kadambas of Banavasi. According to historian K.V. Sounder Rajan, the Badami Chalukya contribution to temple building matched their valor and their achievements in battle.
Their style includes two types of monuments.
Cave temple features Their rock cut halls have three basic features.
In Pattadakal are their finest structural temples. Of the ten temples in Pattadakal, six are in dravidian style and four in Rekhanagara style. The Virupaksha temple in many way holds resemblance to the Kailasanatha temple in Kanchipuram which came into existence a few years earlier.
Many centuries later, the serene art of the Badami Chalukya reappeared in the pillared architecture of the Vijayanagar Empire. Their caves include finely engraved sculptures of Harihara, Trivikrama, Mahisa Mardhini, Tandavamurthi, Paravasudeva, Nataraja, Varaha, Gomateshvara and others. Plenty of animal and foliage motifs are also included.
Some important sculptors of their time were Gundan Anivaritachari, Revadi Ovajja and Narasobba.
|
Jain tirthankara Parshvanath, Cave No.4 Badami Cave Temples |
Virupaksha temple wall sculpture Pattadakal |
drunken woman supported by man Badami Cave Temples |
Sanctum inside Cave No.1, Badami Cave Temples |
Pattadakal
Aihole
Badami
Gerusoppa
No comments have been added.