| Big Fish | |
|---|---|
Theatrical release poster |
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| Directed by | Tim Burton |
| Produced by | Richard D. Zanuck |
| Written by | Daniel Wallace John August |
| Starring | Ewan McGregor Albert Finney Billy Crudup Jessica Lange Alison Lohman |
| Music by | Danny Elfman |
| Cinematography | Philippe Rousselot |
| Editing by | Chris Lebenzon |
| Distributed by | Columbia Pictures |
| Release date(s) | December 10, 2003 (limited) January 9, 2004 (wide) |
| Running time | 125 min. |
| Country | United States |
| Language | English |
| Budget | $70,000,000 |
| Gross revenue | $122,919,055 |
| Official website | |
| Allmovie profile | |
| IMDb profile | |
Big Fish is a 2003 fantasy drama film, directed by Tim Burton and written by John August. It is loosely based on the novel Big Fish: A Novel of Mythic Proportions by Daniel Wallace, and stars Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange, Alison Lohman, Steve Buscemi, Helena Bonham Carter, Marion Cotillard and Danny DeVito, amongst others.
Will Bloom (Crudup) returns to his family home in Alabama, having spent the past three years not talking to his father Edward (Finney). Dying, Edward recounts his life story in his own unique, exaggerated way, full of fantastic events (portrayed in these flashbacks by McGregor). Will tries to get to know his father and find the truth, discovering that his father did lead an extraordinary life and that his storytelling was his finest achievement.
The film was initially planned to be directed by Steven Spielberg before Burton took on the project, following the death of his own father. The film was mostly shot in Alabama, and had a much less gothic tone than Burton's other films such as Edward Scissorhands and Sleepy Hollow. Many critics hailed the film as Burton's masterpiece, and it received four Golden Globe nominations and one Oscar nomination for Danny Elfman's original score.
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At his son's wedding party, Edward Bloom tells the same tale he's told many times over the years: on the day Will was born, he was out catching an enormous uncatchable fish, using his wedding ring as bait. Will is annoyed rather than pleased by this tale-telling; he explains to his wife, Josephine, that because his father never told the straight truth on anything but insisted on embellishing it with tales, he felt that he could not trust him. He is troubled to think that he might have a similarly difficult relationship with his future children.
Will becomes a journalist in Paris, and his relationship with his father becomes so strained that they do not talk for three years. But when his father's health starts to fail, Will and his pregnant wife return to Alabama. On the plane, Will recalls his father's tale of how he braved a swamp as a child, and met a witch who showed him his death in her glass eye. With this knowledge, Edward knows there are no odds he cannot face.
Edward still has a knack for tall tales. As he tells it, he spent three years confined to a bed as a child, with his body growing incredibly fast. He became a successful sports player but found the town of Ashton too small for his ambition. Finding a kindred spirit in the misunderstood giant Karl, they set off. Edward takes an abandoned path down a supposedly haunted forest. He discovers the tiny town of Spectre, where the missing poet Norther Winslow has settled with people so friendly that no one who comes ever leaves, and comfortably walk barefoot. Edward still feels he does not want to settle anywhere yet and leaves, but promises to the young girl Jenny that he will return.
At the circus Karl signs up with Amos Calloway, and time stops as Edward sees the love of his life. As time speeds up again and he loses her, he promises to work for Amos day and night without pay to learn who she is. Every month for three years he learns something new about her, but mostly useless trivial information about her and never her name or address. Edward discovers Amos is a werewolf, and plays fetch with him, preventing him from killing Edward, and also preventing Amos' attorney from killing Amos while a wolf. In thanks for Edward's kindness, Amos tells him the girl's name is Sandra Templeton and she studies at Auburn University.
Edward learns from Sandra that she is engaged to Don Price, also from Ashton. He makes many attempts to show his love for her, including collecting all of the daffodils (her favorite flowers) from five states. Don appears and beats up Edward. Disgusted, Sandra gives up her engagement ring and falls for Edward, who, having given her his word that he wouldn't hit Don, refuses to fight back. During his recovery in the hospital, Edward is conscripted by the army, and goes to Korea. Instead of taking his assigned mission, he instead parachutes into a theater entertaining troops, steals important documents, and convinces conjoined dancers Ping and Jing to help him get back to America, where he will make them stars. The army thinks the missing Edward is dead and they tell Sandra, leaving her in grief, but Edward eventually returns, surprising her. Being legally dead means that his work choices are limited, so he becomes a traveling salesman. Meeting Winslow again, he unwittingly helps him rob a bank, which is already bankrupt. Edward suggests Winslow work on Wall Street, and Winslow later sends Edward $10,000 from his first million as his "career advisor." Edward uses it to buy his family's dream house.
Still unimpressed by his father's stories, Will demands to know the truth. Edward tries to explain that is who he is: a storyteller. While looking through Edward's old office, Will finds a suspicious letter from Spectre. Going there, Will meets an older Jenny. She explains that Spectre eventually went bankrupt, but Edward bought the entire town at an auction and rebuilt the town with financial help from many of his previous acquaintances, although it evidently decayed again. She also explains that she loved Edward, but Sandra was the only woman for him.
Coming home, Will discovers his father has had a stroke and is at the hospital. He goes to visit him there and finds him only partly conscious, and unable to speak at length. Since Edward can no longer tell stories, Will tells his father a story of his own: escaping from the hospital, they go to the river where everybody in Edward's life shows up to greet him on his last journey. Will carries his father into the river where he becomes a big fish. Although his story is clumsy compared to his father's practiced tale-telling style, it shows that for the first time Will understands why storytelling was so important to his father. Edward then peacefully remarks "The story of my life" before dying.
At his funeral, Will sees many of his father's more unusual friends, confirming at least a grain of truth from many of his tales. He sees Amos, Karl, Ping and Jing and Norther Winslow amongst others (although they are not entirely the same as in the stories, and are, in some cases, the result of a play on words. For example, the 'conjoined' twins, or 'Siamese' twins, are not conjoined, but rather, from the capital city of Thailand). When his own son is born, Will passes on his father's stories, remarking that his father became his stories, allowing him to live forever.
Following the death of his father, screenwriter John August read a manuscript of the novel Big Fish in 1999, and had Columbia Pictures option the book on his behalf.[1] Steven Spielberg signed on to direct in August 2000,[2] and he had August write two drafts, with Jack Nicholson in mind to play the older Edward Bloom.[1] August worked hard to make the episodic book into a cohesive story, deciding to have several narrators, and then wrote a third draft after Spielberg was becoming distracted with other projects.[1] Producers Dan Jinks and Bruce Cohen first discussed the project with Stephen Daldry,[3] before they sent the third draft to Tim Burton, who signed on in April 2002 to direct.[4]
Burton had never been particularly close to his parents, but his father's death in October 2000 and his mother's in March 2002 affected him deeply. Following Planet of the Apes' production, he wanted to get back to making a smaller film. Burton enjoyed the script, feeling that it was the first unique story he was offered since Beetlejuice. Burton also found appeal in the story's combination of an emotional drama with exaggerated tall tales, which allowed him to tell various stories of different genres. Burton met up with Jack Nicholson, and briefly discussed using computers to allow him to play a younger version of himself. After that, Burton began the difficult process of casting two actors as the same character,[1] which meant filming was pushed from October 2002 to January 2003.[5]
Ewan McGregor and Albert Finney were cast first as the younger and older Edward Bloom respectively on August 1, 2002.[6] The combination was suggested by producers Jinks and Cohen who were working with McGregor on Down with Love, and Burton got on with him, finding him quite similar to regular colleague Johnny Depp.[1] Viewing Finney's performance in Tom Jones, Burton found him similar to McGregor, and coincidentally he found a People article comparing the two.[7] Most of the cast were assembled by November.[8] As with Sandra's introduction, Alison Lohman had to stand still for two minutes during her audition.[1]
Filming on Big Fish began on January 13, 2003 and ended in early May.[5] Production was based in Wetumpka, Alabama. All of Albert Finney's scenes as the elder Edward Bloom were shot first due to the emotional difficulty of his scenes. McGregor was on set from the beginning and observed Finney. Afterward, shooting took on a livelier, more enjoyable state as Burton and McGregor shot scenes of varying genre. Much of the film was improvised, most notably Edward's slippery birth scene and the humorous scene in Korea where he turns off the light as he beats up two men. During filming of the circus scenes, strong winds hit and flooded much of the sets, but filming stayed on schedule. Shooting in Alabama finished in April, and moved to Paris for a single week before wrapping.[5][1] Burton preferred to use practical special effects alongside computer animation. Forced perspective was employed for scenes with Karl the Giant, when he realigns Jenny's home and lifts up a car for Will and Edward to make their way through traffic. Burton also used color grading for the first time, which lent an extra mood to the fantasy scenes.[9]
The Big Fish soundtrack was composed by regular Burton collaborator Danny Elfman. Eddie Vedder of Pearl Jam also contributed a song entitled "Man of the Hour" after watching the film.[1]
Big Fish received some high praise by many reviewers, with some calling it Tim Burton's best film, including Jeff Vice.[10] Jeffrey Westhoff felt that the film gave Burton a "much-needed boost of maturity", feeling the film was his best since Ed Wood.[11] Peter Travers gave it 4/4 as, "a script that challenges and deepens Burton's talent", and he also praised Ewan McGregor's performance.[12] Adrian Hennigan of the BBC praised both Burton and screenwriter John August following their disparaged work on Planet of the Apes and Charlie's Angels: Full Throttle respectively, feeling it was a celebration of the art of storytelling and a touching father-son drama, and "feelgood without being overly sentimental; romantic without being cloying; moving without being mawkish."[13] Betty Jo Tucker said it was one of her favourite films of the year, saying "Big Fish not only charmed me completely with its humanity and humor - it surprised me with its wisdom."[14]
A few negative reviews came from mainstream reviewers. Unmoved, Roger Ebert felt, "There is no denying that Will has a point: The old man is a blowhard. There is a point at which his stories stop working as entertainment and segue into sadism."[15] Kirk Honeycutt found it "a belabored oddity that is one long-winded tall tale illustrated with hammy, artificial sets and gee-whiz acting... These stories never get beyond their surreal imagery."[16] Big Fish holds a 77% "Fresh" rating on Rotten Tomatoes, with 154 positive reviews out of 199. The more mixed reception of 50% from the mainstream press is held among its "Cream of the Crop" critics.[17]
The film had a limited release on December 10, 2003, before it was released nationwide on January 9, 2004.[18] The Region 1 DVD release of Big Fish took place on April 27, 2004,[19] whilst the Region 2 release took place on June 7.[20] The release featured a Burton commentary track and a special quiz on him, in addition to various featurettes. The film was re-released on November 1, 2005, with a 24 page hardback book entitled Fairy Tale for a Grown Up.[21] The film was released on Blu-ray on April 9, 2007.[22]
Although it was initially believed to have opened in wide release at the top spot with $14.5 million,[23] Big Fish only grossed $13 million, still leaving The Lord of the Rings: The Return of the King at number one.[24] It eventually grossed $66 million in the United States and $56 million in the rest of the world, amounting to a $122 million gross.[18] The film received nominations at the 2004 Golden Globes for Best Picture in the Comedy or Musical genre, as well as nominations for Albert Finney, Danny Elfman and Eddie Vedder. At the Academy Awards, Elfman received a nomination for his score.[25]
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