| Broadway Melody of 1940 | |
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| Directed by | Norman Taurog |
| Produced by | Jack Cummings |
| Written by | Story: Jack McGowan Dore Schary Screenplay: Leon Gordon George Oppenheimer Uncredited: Walter DeLeon Vincent Lawrence Albert Mannheimer Eddie Moran Thomas Phipps Sid Silvers Preston Sturges |
| Starring | Fred Astaire Eleanor Powell George Murphy Frank Morgan |
| Music by | Cole Porter Roger Edens Walter Ruick |
| Cinematography | Oliver T. Marsh Joseph Ruttenberg |
| Editing by | Blanche Sewell |
| Distributed by | MGM |
| Release date(s) | February 9, 1940 (US) |
| Running time | 102 minutes |
| Country | United States |
| Language | English |
| Preceded by | Broadway Melody of 1938 (1937) |
| IMDb profile | |
Broadway Melody of 1940 is a 1940 MGM movie musical starring Fred Astaire, Eleanor Powell and George Murphy. It was directed by Norman Taurog and features music by Cole Porter, including "Begin the Beguine".
The film was the fourth and final entry in MGM's "Broadway Melody" series of films, and is notable for being the only on-screen pairing of Astaire and Powell, who were considered the finest movie musical dancers of their time.
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Johnny Brett (Fred Astaire) and King Shaw (George Murphy) are a dance team so down on their luck they're working in a dance hall, while Clare Bennett (Eleanor Powell) is a big Broadway) star. Due to a case of mistaken identity, Shaw gets offered the chance to be Clare's dancing partner in a new Broadway show, when it was really Johnny's dancing that befuddled producer Bob Casey Frank Morgan saw and wanted. The partnership breaks up, but Johnny sticks around to help out Shaw, who lets his newfound success go to his head. Clare eventually realizes that Johnny is the real deal, not Shaw, and she falls in love with him. When Shaw gets drunk on opening night, Johnny steps in and saves the show with a brilliant performance.[1][2]
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Broadway Melody of 1940 was based on a story by Jack McGowan and Dore Schary. Schary would go on to be head of production (1948) and then president (1951) of MGM until 1956. The film was originally planned to be shot in Technicolor, but because of the unsettled state of Europe due to World War II, MGM decided to stick to back and white.[6]
The film was the fourth and final entry in MGM's loosely-connected Broadway Melody series, which began with the original The Broadway Melody released in 1929, and was followed by Broadway Melody of 1936 and Broadway Melody of 1938. The films were unconnected except for the use of the song "Broadway Melody" (the 1940 entry did not feature the number, although a bit of it can be heard over the film's opening credits), and the fact that Powell starred in the 1936, 1938 and 1940 entries, playing different roles in each. A fifth Broadway Melody film was planned for release in the early 1940s, pairing Eleanor Powell with Gene Kelly, but production was canceled at the rehearsal stage. Another production was to have been called Broadway Melody of 1944 but was instead renamed Broadway Rhythm. The 1940 entry is considered Powell's last major successful film, as she would go on to appear in a succession of only moderate hits before retiring from the screen several years later. It has the distinction of being the first non-documentary film featuring Powell to be released on DVD.
Fred Astaire had just left RKO, and Broadway Melody... was his first film, as well as his film for MGM since his small part in 1933's Dancing Lady Astaire was reportedly slightly intimidated by Powell, as she was considered one of the few female dancers capable of out-performing Astaire. According to Powell in her introduction to the book The MGM Story, the feeling was somewhat mutual. Powell recalled finally saying to Astaire, "Look, we can't go on like this. I'm Ellie; you're Fred. We're just two hoofers," after which, they got along well, and reheased so much they word out their pianist.[3]
Broadway Melody of 1940 was in production from early September until late November 1939. The set for the "Begin the Beguine" number cost $120,000 to construct. It utilized a sixty foot multi-paneled mirror mounted on a revolving track to change backgrounds.[6]
The movie is alluded to in satirist Tom Lehrer's song "George Murphy", about the dancer becoming a United States Senator:
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