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Dale Wasserman (November 2, 1914 – December 21, 2008) was an American playwright. [1]
His protagonists are a bit like Wasserman himself: raffish rebels, fiercely independent fools—poets, madmen and misfits—societal outcasts who defy authority and “tilt at windmills”, reluctant heroes (sometimes anti-heroes), who are called upon to make some extraordinary sacrifice in order to protect or preserve their personal freedom or that of others.
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Dale Wasserman was born November 2, 1914 in Rhinelander, Wisconsin, and was orphaned at the age of nine. He lived in a state orphanage and with an older brother in South Dakota before he "hit the rails". As he said:
"I'm a self-educated hobo. My entire adolescence was spent as a hobo, riding the rails and alternately living on top of buildings on Spring Street in downtown Los Angeles. I regret never having received a formal education. But I did get a real education about human nature."[2]
He worked in various aspects of theatre from the age of nineteen. His formal education ended after one year of high school in Los Angeles. It was there that he started as a self-taught lighting designer, director and producer, starting with musical impresario Sol Hurok as stage managerr and lighting design and for the Katherine Dunham Company, where he invented lighting patterns imitated later in other dance companies. In addition to U.S. cities, he produced and directed abroad in places such as London and Paris.
It was in the middle of directing a Broadway musical—which, out of persistent revulsion, Wasserman refused to name—that he abruptly walked out, feeling he "couldn't possibly write worse than the stuff [he] was directing" and left his previous occupations to become a writer. "Every other function was interpretive; only the writer was primary."
Matinee Theatre, the television anthology which presented his first play, Elisha and the Long Knives, received a collective Emmy for the plays it produced in 1955, the year that Elisha and the Long Knives was telecast on that series (it had originally been shown in 1954, on Kraft Television Theatre, another anthology. Wasserman wrote some thirty more television dramas, making him one of the better known writers in the Golden Age of Television. Two of his stage plays predominate: Man of La Mancha and One Flew Over the Cuckoo's Nest, whose stagings place him among the most produced American playwrights worldwide.[citation needed] Man of La Mancha ran for five years on Broadway and continues worldwide in more than thirty languages. One Flew Over the Cuckoo's Nest ran for six years in San Francisco and has had extensive engagements in Chicago, New York, Boston and other U.S. cities. Foreign productions have appeared in Paris, Mexico, Sweden, Argentina, Belgium, and Japan.
Some insight into Wasserman's inner workings may be found in his work Man of La Mancha. He felt drawn to the author of the original novel Don Quixote, Miguel de Cervantes, who led a life that Wasserman called a "catalogue of catastrophe", but was able to produce one of the world's most memorable stories. Perhaps he holds with the words of his Don Quixote: "I hope to add some measure of grace to the world. . . . Whether I win or lose does not matter, only that I follow the quest".
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He was a founding member and trustee of The Eugene O'Neill Theatre Center and was the artistic Director of the Midwest Playwrights Laboratory, which encompasses twelve states in its program and awards fellowships and production to ten playwrights yearly.[citation needed]
Reclusive by nature, he and his wife, Martha Nelly Garza, made their home in Arizona ("because it's the one State which refuses to adopt Daylight Saving Time.").
Wasserman died of heart failure on December 21, 2008 in Arizona, aged 94. [3] [4]
The latter two plays comprise the World Premiere of Open Secrets which opened In June 2006 at the Rubicon Theatre Company in Ventura, California.
More than fifty, mostly in the Golden Age of Television.
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"As to awards, I have received the usual quota of Emmys [Wasserman is mistaken here; according to the Emmy Awards website [1], he received only one Emmy nomination], Tonys, Ellys and Robbys and, for all I know, Kaspars and Hausers. I’m unsure of the number because I don’t attend awards ceremonies and so receive the knick-knacks by mail if at all. Ah, yes, one exception: when the University of Wisconsin offered an Honorary Doctorate, I did appear in cap and gown to address the audience in the football stadium at Madison, because a scant quarter-mile from where I was being Doctored, I had hopped my first freight at the age of 12. Irony should not be wasted."
Writers Guild of America Award
Three honorary degrees, including:
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