| Saint Magnus Felix Ennodius | |
|---|---|
| Born | ~474, Arles |
| Died | July 17, 521 |
| Venerated in | Roman Catholic Church |
| Feast | July 17 |
Magnus Felix Ennodius (473 or 474 - July 17, 521) was Bishop of Pavia in 514, and a Latin rhetorician and poet.
He was one of four fifth to sixth-century Gallo-Roman aristocrats whose letters survive in quantity: the others are Sidonius Apollinaris, prefect of Rome in 468 and bishop of Clermont (died 485), Ruricius bishop of Limoges (died 507) and Alcimus Ecdicius Avitus, bishop of Vienne (died 518). All of them were linked in the tightly-bound aristocratic Gallo-Roman network that provided the bishops of Catholic Gaul.[1] He is regarded as a saint, with a feast day of July 17. [2]
He was born at Arelate (Arles) and belonged to a distinguished[3] but impecunious family. He was perhaps a son of Firminus (435 – ca 485), vir nobilis at Arelate, and perhaps a son of Flavius Ennodius, but certainly the brother of Euprepia (b. 465 or 470) (the mother of Flavius Licerius Firminus Lupicinus), a sister, and another sister (b. 465) (the mother of Parthenius (485 – 548), a Patron in 542, married to his relative (?) Papianilla (490 – ca 530), daughter of Agricola (440 – after 507), vir inlustris, a Priest and son of Emperor Avitus.
Having lost his parents at an early age, he was brought up by an aunt at Ticinum (Pavia); according to some, at Mediolanum (Milan). After her death he was received into the family of a pious and wealthy young lady, to whom he was betrothed. It is not certain whether he actually married this lady; she seems to have lost her money and retired to a convent, whereupon Ennodius entered the Church, and was ordained deacon (about 493) by Epiphanius, bishop of Pavia.
From Pavia he went to Milan, where he continued to reside until his elevation to the see of Pavia about 515. During his stay at Milan he visited Rome and other places, where he gained a reputation as a teacher of rhetoric. As bishop of Pavia he played a considerable part in ecclesiastical affairs. On two occasions (in 515 and 517) he was sent to Constantinople by Theodoric on an embassy to the emperor Anastasius, to endeavour to bring about a reconciliation between the Eastern and Western churches. His epitaph still exists in the basilica of St Michael at Pavia.[4]
Ennodius is one of the best representatives of the two-fold (pagan and Christian) tendency of 5th century literature, and of the Gallo-Roman clergy who upheld the cause of civilization and classical literature against the inroads of barbarism. But his anxiety not to fall behind his classical models--the chief of whom was Virgil -- his striving after elegance and grammatical correctness, and a desire to avoid the commonplace have produced a turgid and affected style, which, aggravated by rhetorical exaggerations and popular barbarisms, makes his works difficult to understand. It has been remarked that his poetry is less unintelligible than his prose.
The numerous writings of this ecclesiastic may be divided into:
The letters on a variety of subjects, addressed to high church and state officials, are valuable for the religious and political history of the period. Of the miscellanies, the most important are:
The discourses (Dictiones) are sacred, scholastic, controversial and ethical. The discourse on the anniversary of Laurentius, bishop of Milan, is the chief authority for the life of that prelate; the scholastic discourses, rhetorical exercises for the schools, contain eulogies of classical learning, distinguished professors and pupils; the controversial deal with imaginary charges, the subjects being chiefly borrowed from the Controversiae of Seneca the Elder; the ethical harangues are put into the mouth of mythological personages (e.g. the speech of Thetis over the body of Achilles).
Amongst the poems mention may be made of two Itineraria, descriptions of a journey from Milan to Brigantium (Briançon) and of a trip on the Po River; an apology for the study of profane literature; an epithalamium, in which Love is introduced as execrating Christianity; a dozen hymns, after the manner of Ambrose, probably intended for church use; epigrams on various subjects, some being epigrams proper -- inscriptions for tombs, basilicas, baptisteries -- others imitations of Martial, satiric pieces and descriptions of scenery.
There are two excellent editions of Ennodius by Guilelmus Hartel (vol. vi. of Corpus Scriptorum Ecclesiasticorum Latinorum, Vienna, 1882) and Friedrich Vogel (vol. vii. of Monumenta Germaniae Historica, Auctores Antiquissimi, Berlin, 1885, with exhaustive prolegomena). A modern edition of Ennodius' correspondence is under way: Stéphane Gioanni, Lettres, Tome 1: Livres I et II, Paris, Les Belles Lettres, 2006, after the Ph.D. thesis from 2004, «Lumière de Rome», «Lumière de l'Église». See a first recension (Joop van Waarden).
On Ennodius generally:
This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.
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