Fangoria, Issue 7 |
|
| Editor | Anthony Timpone |
|---|---|
| Categories | Horror (beginning with Issue 7), originally Fantasy |
| Frequency | Monthly (10 issues annually) |
| First issue | 1979 |
| Company | Starlog Group The Brooklyn Company, Inc. |
| Country | United States |
| Website | Official site |
Fangoria is an internationally-distributed US film fan magazine specializing in the genres of horror, slasher, splatter and exploitation films, in regular publication since 1979.
Contents |
Fangoria was first planned in 1978 under the name Fantastica as a companion to the science fiction media magazine Starlog; just as Starlog covered science fiction films for a primarily teenaged audience, Fantastica was intended to cover fantasy films for a similar audience. The publishers were anticipating a groundswell of interest in fantasy owing to the plans at that time for bringing Robert E. Howard's Conan the Barbarian to the screen, plans first announced in 1978.
The Conan film did not arrive until several years later and, when it did, no groundswell in the demand for fantasy films occurred. But before the magazine was even launched, other factors intervened to change the magazine's focus and direction.
The first issue was assembled under the editorship of "Joe Bonham," a pseudonym taken from the quadriplegic hero of Dalton Trumbo's pacifist novel Johnny Got His Gun. This was a cover for Rolling Stone contributor and screenwriter Ed Naha and writer Ric Meyers, best known for his encyclopedic Great Martial Arts Movies: From Bruce Lee to Jackie Chan.
Shortly after the publishing trade press announced the coming launch of Fantastica, the publishers of a Starlog competitor, Fantastic Films magazine, brought suit on the basis of "unfair trade," contending that its young audience would be confused by the magazine's similar title.
The launch of the magazine was delayed by several months as the court deliberated the issue. When, in early 1979, the decision was made in favor of the plaintiff, the publishers of Fantastica were without a usable name, and a pressing need to get the long-delayed issue to the printers. Some quick brainstorming sessions resulted in the name Fangoria, over the objections of Robert "Bob" Martin, who was hired as editor during the delay.
The first issue of Fangoria was entirely designed around the original "fantasy film" concept for the magazine, and proved to be an abysmal failure, as were several issues that followed, all continuing with the same conceptual approach.
By the time that issue number four was on the stand and number six was in preparation, the publisher confided to Martin that the magazine was losing approximately $20,000 per issue, not an amount that the small publisher could continue to sustain for long.
Two phenomena allowed Martin to reshape the magazine and bring it back from the abyss of debt. First, was the immensely positive audience response to one of the articles that appeared in the first issue of Fangoria, an article that celebrated the craft of special makeup effects artist Tom Savini, and his very wet-looking special effects for the 1978 film Dawn of the Dead.
Second was the palpable stench of defeat that was surrounding Fangoria. With its demise all but certain, senior employees and the two owners of the publishing firm stood back from the fray and allowed the untried young editor to take the lead, reshaping the entire book according to what he believed would work.
Issue seven, with a cover story on Stanley Kubrick's adaptation of Stephen King's The Shining, was the first issue of any national magazine to wholly concern itself with horror film as produced in the closing quarter of the 20th Century, with no trace of daintiness about its subject matter. It also was the first issue of Fangoria to achieve a profit.
Subsequent issues would sharpen the focus, but by issue twelve, the formula was well-set, and remains largely unchanged to this date. Martin continued as editor to 1986, with co-editor David Everitt added in the early 1980s, and after leaving Fangoria worked with film director Frank Henenlotter on the screenplays for Frankenhooker and Basket Case 3: The Progeny. Everitt left the magazine shortly after Martin's departure, and was replaced by current editor Tony Timpone.
In the late 1980s and early 90s, Fangoria tested numerous international horror markets, releasing issues of the magazine modified for various foreign languages. These publishings (released in Italy, Japan, Czechoslovakia, and elsewhere) lasted only a handful of editions before being discontinued.
In 1990, Timpone brought current managing editor Michael Gingold on-board, having been previously introduced to his horror-themed fanzine, Scareaphenalia.[1] In addition to his editorial duties at the magazine, Gingold posts the majority of the news updates at Fangoria.com.
Creative Group purchased Fangoria (and its parent publication Starlog) in the early 2000s, hoping to branch out the brand identity of the magazine to radio, television, and comics. After several failed ventures, Creative Group filed for Chapter 11 on March 21, 2008.[2] In the summer of 2008, Fangoria and all of its related brands were purchased by The Brooklyn Company, Inc., led by longtime Fangoria president Thomas DeFeo.[3]
As they have been since their inception Fangoria is currently the most widely-read horror-themed publication in the world. Their center of operations, as of 2008, is based in New York City's Times Square.
Starting in 1985 and carrying on to today, Fangoria has sponsored annual horror movie conventions known as the Weekend of Horrors in Los Angeles, New Jersey, and Chicago (with Austin, Texas added in 2008).[4] These conventions are produced in association with Creation Entertainment.
In 1991, Fangoria began honoring horror cinema with their annual Chainsaw Awards, which were voted on by readers of their magazine. The winners were announced at an awards show in Los Angeles, California, which was produced by Fangoria's managing editor, Michael Gingold. While the Chainsaw Awards continued in the magazine, the awards show was stopped after 1996.
In 1990, Fangoria created Fangoria Films, with the goal of financing one feature film a year under this banner. The first film was 1990's Mindwarp, starring Bruce Campbell. They then created Children of the Night in 1991 and Severed Ties in 1992 before ceasing production.[5]
In 1996, Fangoria Films re-emerged as a distribution company, occasionally using their "Gore Zone" label, to release twenty low-budget horror features over the next ten years.
From 1999 to 2003, they partnered with Bedford Entertainment to attain wider releases of certain Fangoria titles[6]. Movies released during this time included I, Zombie: A Chronicle of Pain, The Last Horror Movie, Slashers, and Dead Meat[7]. Many of these films featured the Fangoria logo along the top of their video/DVD covers, while Fangoria's involvement in other releases was substantially more subdued.
In 2004/2005, Fangoria Films produced and distributed Fangoria's Blood Drive, two DVD compilations of award-winning short horror films. The first volume was hosted by musician-turned-filmmaker Rob Zombie, and the second by MuchMusic's (now called FUSE) Mistress Juliya.
After their purchase by Creative Group in the early 2000s, they developed Fangoria Entertainment. This allowed both parties to attach the Fangoria brand identity to a number of other media outlets in 2006. Creative Group also added a new "Vampire Skull" logo to Fangoria's properties, which has been used extensively online since its inception.
On December 5, 2007, a warehouse operated by Kable News, in Oregon, Illinois, which contained all back issues of Fangoria and Starlog magazines, burned to the ground. As back issues of Fangoria are not re-printed, the only remaining back issues are now housed in private collections.[10]
Fangoria has appeared or been mentioned in various media outlets, usually pertaining to its significance to the horror film industry.
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