| Indian Music | |
|---|---|
| Indian classical music | |
| Hindustani music | |
| Carnatic music | |
| List of Carnatic composers | |
| List of Carnatic singers | |
| Concepts | |
| Raga · Thaat · Melakarta · Janya | |
| Katapayadi sankhya | |
| Śruti · Swara · Saptak | |
| Tala · Mudra · Gharana |
In Hindustani music, a gharānā is a system of social organization linking musicians or dancers by lineage and/or apprenticeship, and by adherence to a particular musical style.
Contents |
The best-known vocal gharānās are:[1]
Some of the lesser known gharanas are:-
| Gharana | Based At | Famous exponent |
|---|---|---|
| Lucknow gharana | Lucknow | Pt. Achchan Maharaj (Jagannath Maharaj) |
| Sikar Gharana | Ustad Liaquat Ali Khan, Ustad Sharafat Ali Khan | |
| Nana Panse gharana | Mathura | Pt. Makhanji |
| Farukhabad gharana | Farukhabad | Ustad Masit Khan, Jyan Prakash Ghosh, Keramatullah Khan |
The best-known instrumental gharānās are:
In Kathak performers today generally draw their lineage from three major schools of Kathak: the Jaipur gharana, the Lucknow gharana and the Banaras gharana (born in the courts of the Kachwaha Rajput kings, the Nawab of Oudh, and Varanasi respectively); there is also a less prominent (and later) Raigarh gharana which amalgamated technique from all three preceding gharanas but became famous for its own distinctive compositions.
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