Godzilla (1998 film)
All you want to know about Godzilla (1998 film)
| Godzilla | |
|---|---|
.jpg.html) Theatrical Poster |
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| Directed by | Roland Emmerich |
| Produced by | Dean Devlin |
| Written by | Screenplay: Dean Devlin Story: Ted Elliott Terry Rossio Dean Devlin Roland Emmerich Characters: Toho Co., Ltd. |
| Starring | Matthew Broderick Jean Reno Maria Pitillo Hank Azaria Michael Lerner Kevin Dunn Harry Shearer Vicki Lewis Doug Savant Malcolm Danare |
| Music by | David Arnold |
| Cinematography | Ueli Steiger |
| Editing by | Peter Amundson David Siegel |
| Distributed by | TriStar Pictures |
| Release date(s) | May 20, 1998 (USA) July 11, 1998 (Japan) |
| Running time | 139 min. |
| Country |  United States Japan |
| Language | English Japanese (dubbed) |
| Budget | $130,000,000 USD (estimated) |
| Gross revenue | $379,014,294 USD (Worldwide) |
| Followed by | Godzilla: The Series |
Godzilla is a 1998 American science fiction film directed by Roland Emmerich and starring Matthew Broderick, Jean Reno, Maria Pitillo, Hank Azaria, Michael Lerner and Kevin Dunn. It is the American movie remake of the Japanese 1954 film Godzilla which began the Godzilla franchise. This American remake however was released in Japan but dubbed in Japanese.
Contents |
Development
TriStar Pictures secured rights from Toho to produce an American Godzilla film in 1992. One of the key players in this arrangement was Henry G. Saperstein, who had brought several Godzilla films to America with his United Productions of America. TriStar originally hoped to have the film released in 1994. However, it was not until May 1993 that Terry Rossio and Ted Elliott were asked to write a screenplay. The script was completed in November, but TriStar had yet to select a director for the film.
In July 1994, well after the originally announced release date, TriStar tapped Jan de Bont to direct the film. de Bont confessed to liking the older Godzilla films, although he stated that many of the later ones with their monster free-for-alls were a bit silly. Although he intended to keep humor in the picture, de Bont also pledged to deliver stunning effects and preserve the indomitable spirit of the Japanese Godzilla. de Bont assembled a team and had Rossio and Elliott rework the script to make it more to his liking. The revised script was ready in December 1994[1].
Godzilla was to look like his traditional Japanese counterpart with his Atomic Breath. Godzilla was created by an ancient Alien race to protect the Earth from a giant shape-shifting Alien monster, the Gryphon (originally planned to be King Ghidorah). The two behemoths finally met in New York City, taking out most of Manhattan in the fight.
After Industrial Light and Magic turned down working on the Godzilla project, in October 1994 it was announced that Stan Winston's Digital Domain would be doing the effects work for Godzilla, with a reported budget of around $50 million. The entire film was estimated to cost around $120 million. de Bont sent crews to construct a Japanese fishing village on the Oregon coast, filming Godzilla's attack on the Kuril Islands as the backbone for a teaser trailer. The sets were built, but filming did not occur. Sony, TriStar's parent company, panicked when they saw the massive price tag being affixed to de Bont's Godzilla project. In late December 1994, TriStar and Jan de Bont parted company after the director refused to accept the studio's new budget restrictions. Although the script was rewritten again, this time by Donald MacPherson in May 1995, the project was to all intents, dead. TriStar began to court Dean Devlin and Roland Emmerich, the team who had just reaped huge profits with Independence Day in 1996. By May 1997, Devlin and Emmerich officially had the job. They agreed to bring the movie in for about half of what de Bont wanted, $65 million.
Besides Jan de Bont, James Cameron, Tim Burton, Joe Johnston, and Paul Verhoeven were chosen directors for this movie before Roland Emmerich and Dean Devlin came in and re-wrote the script, directing this movie instead.
Tomoyuki Tanaka,who had produced all of the Japanese Godzilla movies, was going to be the producer but he died only a month before this film began actual production.
Matthew Broderick's character's name is Dr. Niko Tatopoulos. Godzilla's designer and supervisor is Patrick Tatopoulos.
Tatopoulos was contacted early on by Emmerich and asked to design the new Godzilla. According to Tatopoulos, the only specific instructions Emmerich gave him was that Godzilla should be able to run incredibly fast.[2] Godzilla's color scheme was based on the urban environment of New York so that the monster would be able to blend in with its environment.[2] At one point, it was planned to use motion capture from a human to create the movements of the computer-generated Godzilla, but it ended up looking too much like a man in a suit.[3]
Plot
The film's opening credits play over a montage of French nuclear tests in the Pacific Ocean (which are actually historical footages of American nuclear tests), observed by various species of lizard. Lizard nests are irradiated by the fallout.
Years later, a Japanese fishing ship is attacked by an unseen, giant monster that attacks from below the water: only one sailor survives. Traumatized, he is questioned in a hospital by a mysterious Frenchman (Jean Reno) leading a team of French scientists as to what he saw. His only reply is, "Gojira."
Another seaborne attack just by the Eastern Seaboard culminates in the eventual destruction of a fleet of fishing ships. The crew survive, after witnessing their boat sinking, but it shoots up from underneath and lands with a huge splash in the surface.
Dr. Niko "Nick" Tatopoulos (Matthew Broderick), an NRC scientist, who happened to be in the Chernobyl Exclusion Zone (Ukraine) researching the effects of radiation on wildlife, is interrupted by the arrival of an agent of the U.S. State Department. He is sent to Panama, escorted by the military, to observe the wreckage of the recovered Japanese fishing ship (which had three gigantic claw marks on one side) and a set of massive dinosaur-like footprints in the grassy soil. The Frenchman is also there, observing the scene and introduces himself as an insurance agent. Aboard a military aircraft, Tatapolous identifies skin samples he recovered as belonging to an animal "unknown to science." He dismisses the military's theory that the creature is a reawakened dinosaur, theorising its origins in French Polynesia make it a mutated hybrid created by nuclear testing.
The creature then heads to New York City, then creating havoc in the Fulton Fish Market, before rampaging through the city. The beast is revealed to be a gigantic, bipedal lizard, that towers over much of the New York skyline. Manhattan is evacuated and the military attempt to kill the monster, first luring it out with a huge pile of fish (having learned that was the creature's staple diet). It takes the bait, but is scared off by small arms fire and uses its wind breath to destroy two tanks.
It is chased by three AH-64 Apache attack helicopters. They fire Sidewinder missiles, only to knock the top two dozen stories off the Chrysler Building (the monster's cold-blooded physiology makes heat-seeking weapons ineffective). The monster comes out from behind a building swats two of them down, and bites the rest, defeating its attackers and escaping. After this, Nick collects a blood sample and runs tests to reveal that the monster reproduces asexually, and is collecting food not only for itself, but also for its offspring. Nick is determined to find its nest.
However, a videotape from Panama is stolen by Nick's ex-girlfriend, Audrey Timmonds (Maria Pitillo), a would-be TV journalist for news channel "WIDF." Audrey originally intended to broadcast the tape herself, but her boss broadcasted it instead and mispronounced "Gojira" as "Godzilla." The military is outraged by the broadcasting of the classified tape and Nick is thrown off the team. Nick is then kidnapped by the Frenchman who introduces himself as Philippe Roaché, an agent of the DGSE, the French Secret Service. He and his team have been keeping close watch on events, and are now ready to help clear up the mess they feel responsible for, but cannot acknowledge.
The military lures out Godzilla again, trying to trap him in the open ground of Central Park. However, Godzilla does not take the bait, and flees when the military prematurely open fire. The creature dives into the waters of the Hudson River, where it is attacked by three U.S. Navy nuclear submarines. Two subs fire torpedoes at Godzilla. However, through some quick evasion, Godzilla manages to have the torpedoes hit the sub Anchorage instead. The other subs fire again, and this time, Godzilla is torpedoed, and seems to be dead. The military celebrate their seeming victory.
Meanwhile Nick and a French team, led by Roaché, surreptitiously followed by Audrey and cameraman Victor "Animal" Palotti (Hank Azaria), track through the subway tunnels to Madison Square Garden, finding hundreds of eggs. They start to lay explosives, but the eggs start to hatch. The baby Godzillas begin to look for food, and since the team smell like fish, they become inevitable targets. After failing to contain the infants and losing several members of the team, the remaining four of them (Nick, Phillipe, Animal and Audrey) take refuge in a TV broadcast booth. Knowing that the infant Godzillas will eventually force humanity into extinction if they escape, Nick, Audrey, and Animal alert the authorities, who order an immediate strike by a trio of F/A-18 Hornets. The four escape just before the building is destroyed, and the infant Godzillas are killed.
However, seconds later, an extremely enraged Godzilla (who managed to survive the assault in the river) emerges from the wreckage. The four make a getaway in a taxicab, and alert the military to Godzilla's survival. The quartet lure Godzilla to the Brooklyn Bridge where it becomes entangled in the steel suspension cables, and is an easy target for the returning fighter planes. Godzilla is hit by twelve Harpoon missiles: mortally wounded, it screams in pain and falls to the ground, its heart beating slowly until it draws its last breath and dies.
The watching crowd and the military celebrates Godzilla's demise. As Nick, Audrey and Animal reconcile, Roaché quietly walks off with the videotape Animal had recorded, detailing the entire incident. Phillipe calls Nick to tell him he will return it after "certain information" has been removed, and disappears into the night, saying "Au revoir" and thanking Nick for his help.
However, while the population celebrate, in the smoking ruins of Madison Square Garden, it is revealed a single egg has survived the bombing. As the film concludes, the egg begins to shake and crack. A baby Godzilla hatches, roaring in fury.
Sequels and spin-offs
The film spawned an animated series which continued the storyline of the movie. In this series, Nick Tatapolous accidentally discovers the egg that survived the destruction of the nest. The creature hatches and imprints on Nick as its parent. Subsequently, Nick and his associates form a research team, investigating strange occurrences and defending human kind from numerous other monsters.
Licensing issues with Toho led to the canceling of the planned sequel which would be a reboot of the American film. Roland Emmerich would go on to direct The Patriot.
Early in the film Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack, one of the main characters is giving a lecture to several Japanese military personnel and one of the soldiers briefly mentions a monster attack on New York City, referring to the events in the 1998 film. Another soldier says that American scientists believe Godzilla is the one who attacked New York, but the Japanese scientists have some doubts about that.
In Godzilla: Final Wars, the American Godzilla makes an appearance using the name "Jira" (aka: "Zilla"). It appears in Sydney, Australia and then fights the Toho rendition of Godzilla to be destroyed, crashing into the Sydney Opera House. Ryuhei Kitamura, the director of the film, who is fluent in English, chose this name because he thought the American film "Took the God out of Godzilla".
Soundtrack
The soundtrack for Godzilla was released in March of 1998 and included a selection of popular Alternative Rock and R&B artists from the era. Several songs on the soundtrack (such as Silverchair's "Untitled" and Fuzzbubble's "Out There") were previously-unreleased outtakes and leftovers that had remained unreleased until their inclusion on the Godzilla album. The soundtrack also included songs from such up-and-coming acts as Jamiroquai and Ben Folds Five.
Marketing campaign
The marketing campaign for Godzilla was multi-pronged in its execution:
- Crushed cars were dotted around London as a part of a guerrilla advertising campaign.
- In the month or so before its release, ads on street corners made references to Godzilla's size in comparison to whatever medium of advertising the advertisement was on.
- Examples: "His foot is bigger than this bus.", "His eye is bigger than this billboard.", etc.
- Before the release of the film, Godzilla was never shown in its entirety, only in bits and pieces. This was intended to add a bit of mystery to the creature's design, thereby prompting audiences to pay for a ticket because the only way to see Godzilla as a whole was in theaters. A similar marketing scheme was used in the 2005 remake of War of the Worlds, the 2007 Sci-Fi film Transformers, and of course the most recent and well known, the 2008 monster film Cloverfield. Roland Emmerich and Dean Devlin insisted that extensive measures had been taken to keep the new look of Godzilla secret, prior to release. When images leaked out onto the internet, the Sony Pictures insisted it was part of a massive disinformation campaign designed to keep people guessing about what Godzilla looked like. Ultimately, however, the circulated drawings proved to be authentic.
- KB Toys dubbed itself "Godzilla Headquarters" around the time of the film's release.
- Taco Bell had tie-ins such as cups and toys that promoted the film. The Taco Bell chihuahua was also at the height of its popularity in Taco Bell's television commercials. During the summer of 1998, several commercials pairing Godzilla with the Taco Bell mascot were produced and aired, including several with the chihuahua trying to catch Godzilla in a tiny box, whistling and calling, "Here, lizard, lizard, lizard." When Godzilla appears, the chihuahua says, "Uh-oh. I think I need a bigger box." (referring to the classic line from Jaws, "We're gonna need a bigger boat" and the line in the film itself "Uh, we need bigger guns")
- The film's first teaser trailer began appearing in theaters a full year before the movie was released. The trailer featured a shot of Godzilla's foot coming through the roof of a museum and crushing a T. rex skeleton as a tour guide gives a lecture saying that the T. rex was one of the largest predators the world has ever seen. The lizard species that Godzilla mutated from can be seen in a display case.
- Recently, the American Godzilla appeared in two Doritos commercials. Footage from the "fish trap" scenes was edited to replace the fish with large quantities of Doritos chips: one commercial depicted Godzilla consuming a whole semi trailer full of Doritos, while the other showed the creature eating a spicy variant of Doritos and jumping into the Hudson River.
Box office and critical reaction
Godzilla was initially projected to take in $90,000,000 in domestic sales during its opening weekend, to surpass the record set the year before by The Lost World: Jurassic Park. Actual opening weekend sales were a respectable $44,000,000, but clearly did not track with studio profit forecasts. Godzilla would "break even" in the U.S. market, taking in $136,314,294 at the domestic box office. Overseas sales would ultimately make the movie profitable, bringing the Worldwide total to $379,014,294.[4]
Fans of the original film and franchise considered the film to be so apocryphal that Toho Studios officially named this film's title monster "Jira" (aka: "Zilla") to differentiate it from the original Godzilla.
The mayor of New York City is named Ebert, and his top adviser is named Gene, a reference to the famous film critiquing duo from TV's Siskel & Ebert. Both bear a strong physical resemblance to the real-life critics. It was an attempt at expressing displeasure at the negative reviews Siskel and Ebert had given the producers' previous films. Although Roger Ebert was flattered at the parody, he gave Godzilla a bad review anyway. Gene Siskel, however, found the parody "petty", also giving the film a negative review.
Cameos and allusions to other films
- Barney the Dinosaur from the TV series Barney & Friends can be seen in a TV set.
- An action figure toy of an alien from Independence Day (also directed by Roland Emmerich) is visible on top of a computer in the broadcast booth at Madison Square Garden.
- The Japanese freighter attacked and destroyed by Godzilla in the opening of the film is named Kobayashi Maru, in homage to Star Trek II: The Wrath of Khan. Coincidentally, Kobayashi is also the name of the pilot in Godzilla Raids Again who gives his life trying to destroy Godzilla by crashing his plane into the ice, causing an avalanche.
- The giant octopus from It Came from Beneath the Sea is seen in a TV set.
- The insurance company Jean Reno claims to work for is named Lao Che, which is the same name as the villain at the beginning of Indiana Jones and the Temple of Doom.
- The line "Echo Four to Echo Base" is borrowed from Star Wars Episode V: The Empire Strikes Back
- At the beginning, Nick is singing "Singin' in the Rain" as he drives to the Chernobyl site, a reference to 1929's Hollywood Revue of 1929 and 1952's Singin in the Rain.
- The mayor of New York is a bitter, angry man with short white hair named Ebert, and his advisor is a younger, balding man named Gene. These two characters were satirical parodies of the real-life film critic duo Siskel and Ebert.
References
- ^ Rodan's Roost: Kaiju Scrap-yard: Godzilla vs. the Gryphon
- ^ a b Rickitt, Richard (2006). Designing Movie Creatures and Characters: Behind the Scenes With the Movie Masters, Focal Press. pp. 74-76. ISBN 0-240-80846-0.
- ^ Rickitt, Richard (2000). Special Effects: The History and Technique, Billboard Books. pp. 174. ISBN 0-8230-7733-0.
- ^ http://www.boxofficemojo.com/movies/?id=godzilla.htm
External links
- Godzilla 1998 Database
- Godzilla at the Internet Movie Database
- Godzilla at Rotten Tomatoes
- Godzilla at Box Office Mojo
- The 1998 Taco Bell commercial used to promote the film.
- A recent Doritos commercial featuring the creature
- Godzilla vs. The Gryphon (the original Godzilla script)
- Godzilla 2
- Godzilla 2 in Sony's Plans?
- Godzilla Teaser Trailer
- Description of NY locations where Godzilla stomped
| Preceded by Deep Impact |
Box office number-one films of 1998 (USA) May 24, 1998 – May 31, 1998 |
Succeeded by The Truman Show |
| Preceded by Six Days Seven Nights |
Box office number-one films of 1998 (UK) July 19, 1998 – July 26, 1998 |
Succeeded by Lost in Space |
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