For the Pakistani Film hero see Nadeem
Nadeem-Shravan are Indian music composers duo, who were among the most prolific Bollywood composers in the 1990s. The duo consisted of Nadeem Saifi and Shravan Rathod. They are remembered for their successful scores for many movies including Aashiqui, Saajan, Phool Aur Kaante, Raja Hindustani and Pardes.
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The association of Nadeem and Shravan dates back to 1972 when they met each other at a function. Their first Hindi film assignment was Maine Jeena Seekh Liya in 1981. But they were stuck with the B-grade films until they got three big films in the form of Ilaka, Hisaab Khoon Ka and Lashkar. Though the films were big, the music wasn't anything to be talked about.
Aashiqui (1990) brought Nadeem-Shravan into limelight. Music Moghul Gulshan Kumar gave them the break and the film saw the emergence of 3 superstars - Nadeem, Shravan and Kumar Sanu. Can anyone forget 'Sanson ki zaroorat', 'nazar ke saamane jigar ke paas', 'dheere dheere se meri zindagi me aana', 'ab tere bin je lenge hum' and "Jaanejigar Jaaneman". Aashiqui ranks in the lot of the few films that have had a hit in each song. The Lions had tasted blood. Their success was overdue and they were not going to slip it away now. The joy ride continued with 'Saajan', 'Dil hai ke maanta nahin', 'Sadak', 'Sainik', 'Raja', 'Dilwale' and 'Phool Aur Kaante'. Whether it was 'Chehra kya dekhte ho'(Salaami), 'Adayen bhi hain'(dil hai ke manta nahin) 'sochenge tumhe pyar'(deewana), 'aaj raat chandni hai'(Kal ki awaaz), they all had the distinct stamp of Nadeem Shravan. What made them different from the other composers is their trademark jhankaar/fusion beats.
In 1997, the duo ran into negative publicity when Nadeem, while on vacation in London, England, was named as the man behind the murder of his former mentor, record executive Gulshan Kumar (the boss of T-Series Music Company). In India, by the investigating police and arrest warrants were issued against him. He was said to have paid an underworld Don for carrying out this task. His passport was revoked, and to avoid arrest, he stayed back in England.
After being inactive for sometime, Nadeem-Shravan made a come back of sorts with films like Yeh Dil Aashiqanaa, Raaz, Ek Rishta, Kassor, Yeh Dil Ashiqana, Andaaz etc.
Nadeem remained in the UK and, despite the immense geographical distance between England and India, he and Shravan continued to make music together. But they later split after Dosti: Friends Forever.
They have insisted on sticking to only one lyricist (Sameer) and male singer (Kumar Sanu) for most of their compositions (not all). Gulshan Kumar Murder
In 2005, the duo split, apparently due to Shravan's disinterest in continuing with his music, and instead focusing on his son's acting career. Another reason cited is probably the distance between the two. [1]
Nadeen Shravan have been known to take "inspirations" from old and contemporary Pakistani hit scores and compositions,a charge they have never denied. Some examples of their plagiarisms incude the "Come September" tune they copied for their film Raja, or Nasrat Fateh Ali Khan's song in Raja Hindustani, or "Gawah hai chand tare gawaha" hai from Damini, copied from an African song. Or the song Ya Mustafa ya mustafa in Aatish, lifted from an Egyptian track.
Their tunes and orchestration was a source of inspiration for many other composers.
Recently released song "Salaam.." from the movie Umrao Jaan (2006) bears an uncanny similarity to Nadeem Shravan's song, "Dhoom machi hai…", from the 2002 film, Ansh. [2]
Nadeem-Shravan have won the Filmfare Best Music Director Award for the following films: Ashiqui (1990), Saajan (1991) Deewana (1992) & Raja Hindustani (1996). They won Screen Award for movie Pardes and Zee Cine Award for Raaz.
Here is an interesting fact in terms of sales,from 1990-2004, in India. in total span of 15 years only four years are such which don't have N-S album in TOP 3. namely 2002,1999, 1998, 1994
Year wise analysis is as follows
| Year | Rank (in terms of sales in india) |
|---|---|
| 1990 | 1-Aashiqui |
| 1991 | 1-Saajan 2-Phool aur Kaante 3-Sadak, All three. |
| 1992 | 1-Deewana |
| 1993 | 1-Dilwale |
| 1994 | none |
| 1995 | 2-Raja |
| 1996 | 1-Raja Hindustani 3-Agnisakshi |
| 1997 | 2-Pardes |
| 1998 | none |
| 1999 | none |
| 2000 | 2-Dhadkan |
| 2001 | 3-Raaz |
| 2002 | none |
| 2003 | 2-Andaaz |
| 2004 | 2-Bewafaa |
All Time Music Sales:[1]
| Rank | Film | Year | Units Sold |
|---|---|---|---|
| 1 | Aashiqui | 1990 | 1,80,00,000 |
| 3 | Raja Hindustani | 1996 | 1,10,00,000 |
| 8 | Saajan | 1991 | 70,00,000 |
| 9 | Phool Aur Kaante | 1991 | 60,00,000 |
| 10 | Pardes | 1997 | 60,00,000 |
| 11 | Dilwale | 1994 | 55,00,000 |
| 13 | Sadak | 1991 | 50,00,000 |
| 15 | Deewana | 1992 | 45,00,000 |
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