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Purana (Sanskrit: पुराण purāṇa), meaning "belonging to ancient or olden times," is the name of an ancient Indian genre (or a group of related genres) of Hindu or Jain literature (as distinct from oral tradition). They primarily are post-Vedic texts containing a narrative of the history of the Universe, from creation to destruction, genealogies of the kings, heroes and demigods, and descriptions of Hindu cosmology, philosophy and geography.[1]
Puranas are called the Friendly Treatises or Suhrit-Sammitas, and are usually written in the form of stories related by one person to another. Vyasa Rishi is considered to be the compiler of the Puranas.[2]
An early reference to Purana in its present sense can be traced to the Chandogya Upanishad (7.1.2), in which the sage Narada refers to itihāsapurāṇaṃ pañcamaṃ vedānāṃ. Thus the Chandogya Upanishad ascribes to the Puranas, together with Itihas, the status of a fifth Veda, or Panchama Veda.
There are many texts designated as 'Purana'. The most important are:
The Mahāpurāṇas are dated philologically to between roughly the 3rd and the 12th centuries,[3] the bulk of the texts likely originating in the Gupta period (320-500 CE), with incremental additions well into medieval times.[4] According to Hindu tradition, the Puranas were composed by Vyasa at the end of Dvapara Yuga.
In the opinion of Gavin Flood[4], the Puranic corpus is a complex body of materials that advance the views of various competing cults:
Although these texts are related to each other, and material in one is found in another, they nevertheless each present a view of ordering of the world from a particular perspective. They must not be seen as random collections of old tales, but as highly selective and crafted expositions and presentations of worldviews and soteriologies, compiled by particular groups of Brahmins to propagate a particular vision, whether it be focused on Viṣṇu, Śiva, or Devī, or, indeed, any number of deities.
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The Puranas are classified into a Mahā- ("great") and a Upa- ("lower, additional") corpus. According to Matysa Purana, [5] they are said to narrate five subjects, called Pancha Lakshana pañcalakṣaṇa ("five distinguishing marks"):
Manvantras is the period of Manu's rule consisting of 71 celestial Yugas or 308,448,000 years. Swami Sivananda
Most Mahapuranas and Upapuranas deal with these subject matters, although the bulk of their text consists of historical and religious narratives. Some scholars have suggested that these 'distinguishing marks' are shared by other traditional religious scriptures of the world (e.g. the Bible).[6] A Purana usually gives prominence to a certain deity (Shiva, Vishnu or Krishna, Durga) and depicts the other gods as subservient. Most use an abundance of religious and philosophical concepts in their narration, from Bhakti to Samkhya.
The Puranas are available in vernacular translations and are disseminated by Brahmin scholars, who read from them and tell their stories, usually in Katha sessions (in which a travelling brahmin settles for a few weeks in a temple and narrates parts of a Purana, usually with a Bhakti perspective).
Traditionally it is said that there are 18 Mahapuranas and 18 Upapuranas. Each Mahapurana lists eighteen canonical puranas, but the contents of each list vary reflecting differences in time and place. Combining the lists, Dimmitt and van Buitenen [7] have collated twenty names:
The Mahapuranas are also classified by the three aspects of Trimurti,
A reference from the Puranas themselves classifies the various Puranic texts in accordance with the three gunas (qualities of material nature) -- goodness, passion and ignorance. Of the Mahapuranas it is said that six are more effective for readers in the guna of goodness, six for those in the guna of passion, and six to people in the guna of ignorance. According to the Padma Purana,[12] these are the Mahapuranas and their corresponding qualities:
Traditionally, the Puranas are said to have been composed by the sage Vyasa, the narrator of the Mahabharata epic. Vyasa in Sanskrit means 'Divider,' and some scholars therefore take this simply as a term meaning 'Editor'.[13] The texts, these scholars say, were probably written all over India and are being rewritten and reedited to the present day all over the world.
The term purana, which means "belonging to ancient times" or "an ancient tale or legend", appears in the Vedas (e.g. Atharvaveda 11.7.24[14] [15]). And the term itihasa purana, "account of ancient times", occurs in the Chandogya Upanishad[16], Nirukta[17], Maitrayana Brahmana Upanisad[18] and the Brhadaranyaka Upanishad, where the text thus referred to is considered the "fifth Veda."[19]
The specific corpus of the Mahapuranas, as opposed to generic purana "ancient tale", is sometimes estimated by Western scholars to date to the Early Middle Ages, or to roughly between the fifth and tenth centuries, but to contain older material; according to Pargiter, an "original Purana" may date to the time of the final redaction of the Vedas.[14]
The Puranas also lay emphasis on keeping a record of genealogies. Thus the Vayu Purana says: "As seen by good people in the ancient times the suta's duty was to preserve the genealogies of gods, rsis and glorious kings and the traditions of great men." (Vayu P. 1. 31-2)
The Puranic genealogies add up to fantastic time depths see e.g. F.E. Pargiter (1922)[14] and Pargiter (1979) [20] [21] Pargiter has argued that in the Puranas the Puranic Krta Yuga[22] "ended with the destruction of the Haihayas [by Rama Jamadagnya]; the Treta began approximately with Sagara and ended with Rama Dasarathi's destruction of the Raksasas; and the Dvapara began with his reinstatement at Ayodhya and ended with the Bharata battle".[23] The Puranas themselves state that these lists are incomplete.[14] [24] In Arrian's Indica, Megasthenes is quoted as stating that the Indians counted from Shiva (Dionysos) to Chandragupta Maurya (Sandracottus) "a hundred and fifty-three kings over six thousand and forty-three years."[25] The Brhadaranyaka Upanishad (4.6.), ca. 8th century BCE, mentions 57 links in the Guru-Parampara ("succession of teachers"). This would mean that this Guru-Parampara would go back about 1400 years, although the accuracy of this list is disputed.[26] The list of kings in Kalhana's Rajatarangini goes back to the 19th century BCE.[27]
The Puranic genealogies indicate that Manu Vaivasvata lived 95 generations before the Bharata War.[28]
Upapuranas are eighteen in number, namely: Sanat-kumara, Narasimha, Brihan-naradiya, Siva-rahasya, Durvasa, Kapila, Vamana, Bhargava, Varuna, Kalika, Samba, Nandi, Surya, Parasara, Vasishtha, Devi-Bhagavata, Ganesha, Mudgala, and Hamsa.[29] The Ganesha and Mudgala Puranas are sectarian Upapuranas devoted to Ganesha.[30] [31]
Most of these have not been critically edited yet and are available mostly through devotional publications, in multiple versions and recensions.
The Devi-Bhagavata Purana extols the virtues of the goddess Durga as the supreme being. It has become (along with the Devi Mahatmya of the Mārkandeya Purana) a basic text for Devi worshipers.[32]
This corpus of texts narrates the virtues and stories connected with a certain temple or shrine (the word 'Sthala' means 'Place' in Sanskrit). There are numerous Sthala Puranas, most written in vernaculars, some with Sanskrit versions as well. Most claim to have a Sanskrit origin, and some of the Sanskrit versions also appear in a Mahapurana or an Upapurana. Some Tamil Sthala Puranas have been researched by David Dean Shulman.[33]
These are mostly caste-focused Puranas (the word 'Kula' means 'Family' or 'Tribe' in Sanskrit). They deal with a caste's origin myth, stories and legends. The caste purana is an important source for caste identity and is usually contested by other, rival, castes. This subgenre is usually in the vernacular and might at times be oral.[34]
This subgenre has been little researched. But it is rather well documented in the caste section of the British Census of India Report and the various Gazzeteers.[35]
There are many other narratives that go by the name of Purana. Most are written in vernaculars and are usually concerned with mythical and historical narrations. These texts, such as the Padma Purana of Bengal and Assam (narrating the story of the goddess Manasā), are vast in number and scattered all over the Indian subcontinent.[36]
There are many Jain Puranas, dealing with Jain myths, history and legends.[37] [38] Studies and English translations of this particular genre are meagre. The best known of them is the Mahapurana of Acharya Jinasena. The Jain Puranas form a major part of the early Kannada literature.
Swayambhu Purana, a Buddhist Purana, is major source of the history of the Kathmandu valley. Arguably, some Buddhist Mahāyāna Sūtras seem to have some characteristics of Puranas.
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