The Others (2001 film)

All you want to know about The Others (2001 film)

The Others

The Others film poster
Directed by Alejandro Amenábar
Produced by Fernando Bovaira,
José Luis Cuerda,
StudioCanal
Written by Alejandro Amenábar
Starring Nicole Kidman
Alakina Mann
Christopher Eccleston
Fionnula Flanagan
Elaine Cassidy
James Bentley
Music by Alejandro Amenábar
Cinematography Javier Aguirresarobe
Editing by Nacho Ruiz Capillas
Distributed by Flag of the United States Dimension Films
Flag of Spain Warner Sogefilms
Release date(s) August 10, 2001
Running time 104 min.
Country Flag of Spain Spain
Flag of France France
Flag of the United States United States
Language English
Budget $17,000,000
Gross revenue $209,947,037 (worldwide)
Allmovie profile
IMDb profile

The Others is a 2001 psychological horror film by the Spanish/Chilean director Alejandro Amenábar, starring Nicole Kidman, and in part based on Henry James' classic, The Turn of the Screw. In the United States, it was rated PG-13 for thematic elements and frightening moments and runs around 100 minutes.

It won eight Goya Awards including awards for Best Film and Best Director. This was the first Spanish film ever to receive the Best Film Award at the Goyas (Spain's national film awards) with not a single word of Spanish spoken in it.

Tagline: Close Every Door. Turn Off Every Light. And Look For The Others.

Contents

Cast

Plot

The scene is set on the island of Jersey, in the immediate aftermath of World War Two. Grace Stewart is a Christian mother, who lives with her two small children in a remote country house. The children, Anne and Nicholas, have a strange disease including photosensitivity (a special feature on the DVD indicates the disease is xeroderma pigmentosum), so their lives are structured around a series of complex rules designed to protect them from inadvertent exposure to sunlight.

The new arrival of three servants at the house (an aging nanny, an elderly gardener, and a young mute girl) coincides with a number of odd events, and Grace begins to fear that they are not alone. Anne draws pictures of four people — a man, a woman, a boy called Victor and a scary old woman whom she says she has seen in the house. A piano is heard from inside a locked room when no one is inside. Every time Grace enters and exits the room the door closes, but while trying to figure out why, the door slams on her face knocking her to the floor. Grace tries hunting down the "intruders" with a shotgun but cannot find them. She scolds her daughter for nonsense about ghosts until she hears them herself. Eventually convincing herself that something unholy is in the house, she runs out in the fog to get the local priest to bless the house. Meanwhile, the servants, led by the aging Bertha Mills, are clearly up to something of their own. The gardener buries three gravestones under autumn leaves, and Mrs. Mills listens faithfully to Anne's allegations against her mother.

Out in the forest, Grace loses herself in the heavy fog, but miraculously discovers her husband Charles and brings him back to the house. Charles is distant during the one day he spends in the house. Grace later sees the old woman from Anne's drawing dressed up like her daughter. Grace says "You are not my daughter!" and attacks her. However, she finds that she has actually attacked her daughter instead. Anne refuses to be near her mother after this event, while Grace swears she saw the old woman. The servant lady tells Anne that she too has seen the people but they cannot yet tell the mother because Grace will not accept what she is not ready for. Charles is stunned when Anne tells him the things her mother did to her. Charles says he must leave for the front and disappears again. After Charles leaves, Anne continues to see things, including Victor's whole family and the old woman. Grace breaks down to Mrs. Mills, who claims that "sometimes the world of the dead gets mixed up with the world of the living". The two women also find and examine a 'book of the dead,' which shows mourning portraits taken in the 19th century of recently deceased corpses.

Los Hornillos Palace in Las Fraguas, Cantabria. Mansion where the exteriors of the movie were filmed.
Los Hornillos Palace in Las Fraguas, Cantabria. Mansion where the exteriors of the movie were filmed.

One morning, Grace wakes to the children's screams: all of the curtains in the house have disappeared. When the servants refuse to help look for them, Grace realizes that they are somehow involved. Hiding the children from the light, she banishes the servants from the house.

That night, Anne and Nicholas sneak out of the house to find their father, and stumble across the hidden graves. They find that the graves belong to the servants. At the same time, Grace goes to the servants' quarters and finds a photograph from the book of the dead and is horrified to see that it is of the three servants. The servants appear and give chase to the children, who make it back into the house just as Grace emerges to hold off the servants with a shotgun. The children run upstairs where they hide, but are found by the strange old woman. Downstairs, the servants continue talking to Grace, telling her that they have to learn to live together. She begins to understand what they mean. Upstairs, Anne and Nicholas discover the old woman is acting as a medium in a séance with Victor's parents. It is then that they learn the awful truth: the old woman is not the one who is a ghost; the ghosts are Anne, Nicholas and their mother. Grace loses her temper and supernaturally attacks the visitors. This sequence is quickly intercut with scenes from both Grace's viewpoint and the family's.

The truth is finally clear to Grace and the audience: She breaks down with the children and remembers what happened just before the arrival of their new servants; yearning for the company of her missing husband and increasingly frustrated by her children, she smothered them both with a pillow and then, realizing what she had done, shot herself. When she awoke, she assumed that God had granted her family a miracle. Grace and the children realize that Charles is also dead, but he was not aware of this fact. The female servant is heard telling the gardener "I do not think he knows where he is." Mrs. Mills appears and informs Grace that they will learn to get along, and sometimes they won't even notice the living people who inhabit their house. Outside, Victor's family — less than happy with their haunted house — pack up and move out. From the window, Grace and her children watch as they drive away. Grace ends the film with the line; "This house is ours."

Box office performance

The film was released August 10, 2001 in 1,678 theatres in the United States and Canada and grossed $14 million its opening weekend, ranking 4th at the box office. It stayed in 4th for 3 more weeks, expanding to more theatres. During the weekend of September 21-23, it was the #2 film at the box office, grossing $5 million in 2,801 theatres.[1] The film, which cost $17 million to produce, eventually grossed $96.5 million in the United States and Canada, and $113.4 million in other countries, for a worldwide total gross of $209.9 million.[2]

Reception

On the review aggregator Rotten Tomatoes, 83% of critics gave the film positive reviews, based on 143 reviews.[3] On Metacritic, the film had an average score of 74 out of 100, based on 29 reviews.[4]

Awards

  • Goya Awards:
    • Best Cinematography (Javier Aguirresarobe)
    • Best Director (Alejandro Amenábar)
    • Best Editing (Nacho Ruiz Capillas)
    • Best Film
    • Best Actress (Nicole Kidman)
    • Best Production Design
    • Best Production Supervision
    • Best Screenplay - Original (Alejandro Amenábar)
    • Best Sound
  • Kansas City Film Critics:
    • Best Actress (Nicole Kidman)
  • London Film Critics:
    • Best Actress of the Year (Nicole Kidman)
  • Online Film Critics:
    • Best Screenplay - Original (Alejandro Amenábar)
    • Best Actress (Nicole Kidman)
  • Golden Globe Awards:
    • Best Actress Drama - (Nicole Kidman)

See also

References

External links

Awards
Preceded by
El Bola
Goya Award for Best Picture
2002
Succeeded by
Los Lunes al Sol

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