| The Singing Fool (1928) | |
|---|---|
| Directed by | Lloyd Bacon |
| Written by | C. Graham Baker Joseph Jackson |
| Starring | Al Jolson Betty Bronson Josephine Dunn Davey Lee |
| Music by | Jules Buffano Shelton Brooks |
| Cinematography | Byron Haskin |
| Editing by | Ralph Dawson, Harold McCord |
| Distributed by | Warner Bros. |
| Release date(s) | August 17, 1928 |
| Running time | 105 min. |
| Country | |
| Language | English |
| IMDb profile | |
The Singing Fool in a musical drama Part-Talkie motion picture which was released in 1928 by Warner Brothers. The film starred Al Jolson and was a follow-up to his previous film, The Jazz Singer.
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Like The Jazz Singer, The Singing Fool was a melodrama with musical interludes, and as such was one of the film industry's first musical films. Produced during the transition period between silent film and talkies, this movie (like its predecessor) was released in both sound and silent versions. And the film was once again a major hit and is credited with helping to cement the popularity of both sound and the musical genre.
After years of hopeful stuggle, Al Stone (Jolson) is on his way. "I'm Sittin' on Top of the World", he sings to an appreciative speakeasy crowd. But, as Al discovers, getting there is one thing. Staying there is another. Singing waiter Stone gets his huge break on a magical night when his song wows a big-time producer and a gold-digging showgirl he fancies. Broadway success and marriage follow, but sure enough, hard times are on the way. Al's fickle wife abandons him, taking the beloved son he calls Sonny Boy with her. Heartbroken, Al becomes a devastated loner until friends from the speakeasy that launched his career rescue him from a life on the streets. Soon, Al is back in lights. But another crisis awaits: Sonny Boy is in the hospital and dying....
The Singing Fool Al Jolson's first film after his history making The Jazz Singer (1927 film), solidified the dynamic performer's position atop the movie world. Not until Gone with the Wind (film) would any Sound Era film be more financially successful than this audience-pleasing blend of sentiment and show biz.
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