| Tomb of Dracula | |
Count Dracula from Tomb of Dracula. |
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| Publisher | Marvel Comics |
|---|---|
| Schedule | Monthly |
| Format | color |
| Publication date | 1972–1979 |
| Number of issues | 70 |
| Main character(s) | Count Dracula |
| Creative team | |
| Writer(s) | Marv Wolfman |
| Penciller(s) | Gene Colan |
| Inker(s) | Tom Palmer |
Tomb of Dracula is a horror comic book series published by Marvel Comics from April 1972 to August 1979. The 70-issue series featured a group of vampire hunters who fought Count Dracula and other supernatural menaces. On rare occasions, Dracula would work with these vampire hunters against a common threat or battle other supernatural threats on his own, but more often than not, he was the antagonist rather than protagonist. In addition to his supernatural battles in this series, Marvel's Dracula often served as a supervillain to other characters in the Marvel Universe, battling the likes of Blade, Spider-Man, Werewolf by Night, the X-Men, and even the licensed Robert E. Howard character Solomon Kane.
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In 1971, the Comics Code Authority relaxed some of its longstanding rules regarding horror comics, such as a virtual ban on vampires. Marvel had already tested the waters with a "quasi-vampire" character, Morbius, but the company was now prepared to launch a regular vampire title as part of its new line of horror books. After some discussion, it was decided to use the Dracula character, in large part because it was the most famous vampire to the general public, and also because Bram Stoker's creation and secondary characters were by that time in the public domain.
At first, ToD was plagued by an inability to keep a steady writer, with the first half-dozen issues written by Gerry Conway, Archie Goodwin, and Gardner Fox. But the title gained stability and hit its stride when Marv Wolfman became permanent scripter with the seventh issue.
The entire run of Tomb of Dracula was penciled by Gene Colan, with Tom Palmer inking virtually all (although Gil Kane drew many of the covers for the first few years, as he did for many other Marvel titles). Colan based the visual appearance of Marvel's Dracula not on Bela Lugosi, Christopher Lee, or any other actor who had played the vampire on film, but rather on actor Jack Palance. Ironically, Palance would himself go on to play Dracula in a television production of Stoker's novel the year after ToD debuted.
Tomb of Dracula ran for seventy issues, until 1979. As cancellation loomed, plans were made to wrap up the storyline and lingering threads by issue #72. However, when management decided at the 11th Hour to terminate the title with #70 instead, the final three issues' worth of story and art had to be compressed into one double-sized book, culminating with Dracula's apparent death and dispersal.
The color title was succeeded by a black-and-white magazine (which stories also drawn by Gene Colan) that lasted six issues. An earlier magazine, Dracula Lives!, published by the Marvel imprint Curtis Magazines, ran from 1973 to 1975. The color comic was also supplemented by a "Giant-Size" companion quarterly that ran for five issues in the mid-1970s.
Several years later, Dracula resurfaced in an issue of The Uncanny X-Men. However, in appearance, this lord of the undead did not much resemble the Dracula of the Tomb series, and there remains some discussion among fans over whether or not this was the same Dracula. Although Wolfman and Colan's version had been established as inhabiting the regular Marvel Universe (and battling such super-heroes as Spider-Man, Doctor Strange, and the Silver Surfer), there are some who feel that the redesign of the character in the X-Men story was an attempt to establish that the ToD version lived in his own alternate universe, apart from the mainstream Marvel world and characters.
Although Dracula (and all other vampires in the Marvel Universe) were eventually destroyed by the mystical "Montessi Spell (incarnation)" in the pages of Doctor Strange, the vampire lord was revived. Marvel published a four-issue Tomb of Dracula mini-series, reuniting Wolfman and Colan, under its Epic Comics imprint in 1991, and revived Dracula and his foes in the short-lived Nightstalkers and Blade series in the 1990s. Most recently, Dracula took the title role in the mini-series Dracula: Lord of the Undead.
In 2004, Marvel published a four-volume, black-and-white Essential Tomb of Dracula collection, with the first three collecting the 70 issues of Tomb of Dracula plus selections from the black-and-white Tomb of Dracula magazine, and the fourth reprinting the comics stories from Dracula Lives and the remainder of the stories from the Tomb of Dracula magazine. Following the success of these reprints, Dracula returned in three new four-issue mini-series. Stoker's Dracula continued and concluded the adaptation of Dracula that had begun in Dracula Lives twenty years prior, and a new Tomb of Dracula mini-series followed, in which Blade joined a new team of vampire hunters to prevent Dracula achieving godhood. Apocalypse vs. Dracula featured Dracula battling the immortal foe of the X-Men in Victorian London.
Some unresolved plot threads from Tomb of Dracula were addressed in the final three issues of Nightstalkers. These included the fates of Dracula's bride Domini, their son Janus, and vampire-hunter Taj Nital.
The comics have been collected as part of the Essential series of trade paperbacks. The volumes are:
Some of the nudity has been removed from the fourth volume [1] and Dan Buckley, the publisher, had this to say on the issue "That wasn't because we were going to bookstores, or because we were exclusively going to hobby shops. It probably had more with where we were at from a ratings standpoint and the editors felt that was the appropriate thing to do, considering how we communicate what's going on in our books from a packaging standpoint. ... We generally avoid nudity, unless it's a Max title. We don't want to take an Essential volume and start calling it Max; then you get into branding issues." [2] Kurt Busiek has said "They wanted to sell it to the same audience who bought the first three volumes." [3] but retailers' opinions on the matter are split. [4]
In 1980, an animated TV-movie was made based on Tomb of Dracula. Much of the main plot was condensed and many characters and subplots were truncated or omitted. It was animated in Japan and sparsely released on cable TV in North America by Harmony Gold under the title Dracula: Sovereign of the Damned.
Deacon Frost and Hannibal King from Tomb of Dracula are in the Blade movies, albeit in heavily revised forms.
In the movie Blade: Trinity, Hannibal King shows a comic of Tomb of Dracula to Blade. Also in the movie, Drake seems to be a young version of the Marvel Comics Dracula, though having a different origin and powers. He was played by Dominic Purcell.
Given Drake's age and origin, he, more than any other Vampire that followed, can harness a much greater and more dynamic range of abilities. He possesses unnatural strength, much greater than that of Blade, and also incredible speed. Like those he sired he is capable of leaping great distances and seems to be knowledgeable of sword fighting techniques, even rivaling Blade himself.
Drake's true power though is derived from his origin as the first of his species, the manipulation of energies which lead to his first resurrection left Drake with two forms; human, and a demonic alter ego.
In this form Drake is much stronger, resilient to all forms of damage and much taller than his human self. He also possesses very keen senses, allowing him to catch an arrow mid-fight.
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